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Dawn Corrigan
Narcissus at Sixty**
watches a lot of TV, sports mostly,
he’s a hockey fan. He lives by himself
in the city, in a flat without mirrors
for he has no need of them: he wears a beard,
hasn’t shaved in years. Some days when he walks
through the fish market a young man will try
to catch his eye, but he always—always—
turns away. He cooks, paints a little,
and that’s his day, except for now and then
when someone from the college rings him
(he’s unlisted, but they find him anyway)
to ask for his story. Surprisingly—
or perhaps not—he often obliges.
When he does he says, “Wildflowers
are the glory of Greece. The flowers there
would be lovely anywhere, but they shine
even more in that rocky country where
wide meadows and fertile fields are so scarce.
In that place I saw nothing to fear—
not in the sky, not in the sea—all seemed
reflection of my beauty. The whole earth
and I engaged in a mutual leer!
I didn’t even hear the nymph’s plea.
But if I had—if eyes longed, hands reached for me—
it seemed no more than what I should expect.
But my bones would still lie beside that stream
if the sky had not turned overcast.
I walked away, took a flat in this city.
Don’t pity me; if you must pity,
pity Persephone, who stretched out her hand
and opened a chasm in the earth.
From it sprung a chariot, a handsome man,
a coal-black horse. Soon they’ll come for me.
We’ll cross the river in his hearse;
I won’t lean over for one last glance.”
Then he hangs up, and in the dial tone
most listeners suspect, for a moment,
they can hear a faint moan, but no one knows
why or what it means, so in a minute
they shake their heads and they too disconnect.
**Parts of Narcissus’s speech are adapted from the
chapter on the flower myths in Edith Hamilton’s Mythology. Also, I
stole the title from Linda Pastan.
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